Bruce Feiler speaks to us about the relationship between storytelling and ritual — and why both are essential tools for navigating change, creating meaning and building connection. We also discuss the moments when life takes a difficult turn (“lifequakes” as Bruce calls them), his journey walking the Bible and how it stems from his “rootedness” as a Southern Jew, and the ongoing tension between innovation and tradition at the heart of Jewish life.

Rachel speaks to us about the books that shaped her faith, and the ones that offer reprieve and consolation. We also discuss reading Victor Frankl’s Man’s Search for Meaning after her son Hersh’s death, grief in the poetry of Robert Frost, and Rachel’s hope of finding Shabbat again.

Portia Elan tells us about her journey to become a Jew by choice after attending Friday night services and feeling that she had “come home.” We also discuss her fascination with the AIDS quilt as a child, and the beauty in finding queer elders in her synagogue. Portia also reflects on how she understands tikkun olam, rooted in how we care for others and in our responsibility to the balance of entire ecosystems.

In this conversation, Dahlia Adler discusses the emotional and cultural terrain of love, identity, and storytelling within and beyond the Modern Orthodox world. We explore the particular pressures and expectations around romance in a community where shared values, observance, and belief are foundational. Dahlia also reflects on her unexpected journey to understanding her own bisexual identity as a result of writing a sapphic romance. And we explore her deep love of flawed characters - from Biblical women, to her own protagonists and her commitment to rendering them with empathy, context and moral complexity.

Is two Jews, three opinions a good thing? In this episode, Laurie Frankel discusses the very Jewish capacity of holding space for many different ideas and views, and how this capacity might be exactly what we need in this moment. We’ll also discuss the power and devastation of Cythnia Ozick’s short story “The Shawl,” its contribution to the conversation around trauma, and how a difficult-to-believe premise followed by realism (like that in Naomi Alderman’s The Power) is one of Laurie’s favorite structures for fiction.

In recognition of Jewish Heritage Month, this episode features a conversation with Nicholas Lemann, whose work and life story open up questions about both American and Jewish identity. Nicholas discusses his assimilated Louisianan/German-Jewish upbringing and his lifelong quest for connection with Judaism. What does it mean to be both Jewish and have ancestors who benefitted from slavery? We’ll also discuss what Tolstoy’s Russia has in common with the New Orleans of Nicholas’ childhood, and his appreciation for reading the Torah in all its moral complexity.

In this conversation, Fran Fabriczki discusses coming of age between Hungary and Los Angeles and her experiences with cultural richness and antisemitism between the two countries. We also discuss “homelooseness” in The Nearest Thing to Life by James Wood, and JD Salinger’s relationship with Jewishness through his short story “Down at the Dinghy.”

In this conversation, Adeena Sussman discusses how reading an (age-inappropriate) short story by Isaac Bashevis Singer one Shabbat afternoon changed the way she thought about writing and storytelling. We’ll also hear about her deep attachment to Tel Aviv’s Carmel Market, and how discovering Claudia Roden’s writing about Middle Eastern food expanded her sense of Jewish food.

In this episode, Alicia Jo Rabins traces the “red hot glow” of the moments that shaped her, both spiritual and artistic, and how they led her to a life rooted in music, text, and ritual. She’ll tell us how a chavruta (study partnership) with an Orthodox student while at Barnard College paved the way for her to transform her academic study into song in Girls in Trouble.  As she details the pendulum swings in her religious and spiritual practices, we discuss the ways in which small moments – watching orthodox women wait for the electric doors to open on Shabbat, watching Titanic – have helped her to build a life and tradition wholly her own.

In this conversation, Matti Friedman reflects on the power of foundation stories to shape how we understand ourselves and where we come from – from Noah’s Ark, to the origins of the Bible, to Hannah Senesh and the other parachutists who landed in Nazi Europe during World War II. We also talk about what happens when we look more closely at these myths and encounter the flawed, human figures behind them - and why that often deepens, rather than diminishes, our admiration for their courage.  Along the way, we also discuss Matti’s particular perspective as a Western-born journalist living in Israel, Michel Houellebecq’s Submission, and the gift of reading poetry in uncertain times.

In this episode, Zeeva Bukai discusses her two novels, The Anatomy of Exile and The World Between, both published in the past year and woven with threads of her family history. She traces a legacy of dislocation: her grandmother’s reunion with her husband after years in a Siberian work camp, her father’s escape from Syria at age 13 with his younger brothers, and her own life between Israel and the U.S. Zeeva also reflects on her deep connection to Nicole Krauss’ Great House and the “architecture” of memory, and shares a striking moment teaching Franz Kafka’s Metamorphosis to a class of Orthodox high school students.

Rob Kutner is an Emmy, Peabody, Grammy, and TCA-winning writer for late-night TV including The Daily Show and TBS’ Conan. He is the author of the humor books including Apocalypse How (Running Press, 2008) and the kids’ comedy-horror graphic novel Snot Goblins and Other Tasteless Tales (First Second, 2023). He has written material for the Oscars, Emmys, and two White  House Correspondents Dinners, and was named a “SuperJew” by Time Out New York. He is also the host of the new Mama’s Boys: a podcast on what it means to be a Jewish man today.

Allegra Goodman tells us how This Is Not About Us grew like a family tree from her New Yorker short story “Apple Cake,” as she continued writing about the Rubinstein family for over a decade. We discuss how her perspective - and the world - has changed since she wrote The Family Markowitz in her 20s, and how Keats’ concept of negative capability has shaped her writing. We also hear about a book that she found very dull until a bad cold taught her patience.